A Compendium of Historical Knitting: January 2019

Thursday, January 31, 2019

"Polka Jacket Trimmed with Imitation Ermine" (1856)

The term "polka jacket" is rarely defined in period sources, but derives not from the dance but from the military jacket of the same name.

The General Regulations for the Military Forces of the State of New York (1870) describes their version, one of the two "Uniform Coat[s] for the Non-Commissioned Officers, Musicians and Privates of the National Guard Infantry" as "differing from the chasseur jacket [described meticulously in the article's previous paragraph], in being without skirt, but extending without seam five inches below the hip; without opening or buttons behind, and round edge in front" (p.252). Women's knitted polka jackets seem to be fairly consistent in their details -- a single-breasted close-fitting jacket, usually collarless, with long sleeves and smooth skirt with rounded fronts, often trimmed, as this one is, in faux ermine, and apparently always worked in brioche stitch, possibly because brioche's inherent stretchiness made it easier to fit smoothly.

Here is the full pattern from the January-June 1856 issue of "Godey's Lady's Magazine" --

A similar polka jacket from an 1849 issue of "Family Friend" was transcribed by Carol Rhodes and appears in modern-pattern format in Helen Bonney's article in the January/February 2013 issue of "PieceWork" magazine.

Tuesday, January 29, 2019

"What Katy Did" (1872)

Two of the Workwoman's Guide muffatees (1840), patterns available in an earlier post here.

In the children's story What Katy Did by Susan Coolidge (1872), set in the 1860s, twelve-year-old Katy, at this point in the story an invalid after a bad fall, has knitted a pair of muffatees for her father and a pair of leading reins for her four-year-old brother at Christmas-time.

"I wish I had something pretty to put into everybody's stocking," she went on, wistfully; "but I've only got the muffatees for Papa, and these reins for Phil." She took them from under her pillow as she spoke – gay worsted affairs, with bells sewed on here and there. She had knit them herself, a very little bit at a time.

The two Workwoman's Guide muffatees in the illustration above are rather plain, certainly compared to the more elaborate ones in the book, which would make them likely candidates for Katy's pair, and why she doesn't think them very "pretty"!

Miss Loch's The book of "hows" or what may be done with wools in every home (Baldwin & Walker, 1900) has a pattern for leading reins -- yes, with bells! -- which parental necessity has obviously been around for quite a long time.

Franklin Habit has adapted a different pattern for leading reins from Weldon's.

About this project

This page is a compendium, not the compendium, and makes no claims to be definitive. That said, we will attempt to provide a broad spectrum of examples of knitting patterns, techniques, and stitches across the years.

The label "Pattern links" indicates that a link to an outside webpage is given in the post, directing the reader to the pattern (sometimes for purchase from the designer or adapter, but often free), and the label "Patterns" indicates that the pattern is given here in the post. Both categories are subdivided into historical periods.

The label "Historical patterns in modern terminology" gives either patterns themselves or (more usually) links to historical patterns rewritten for the knitter of today. (It can be very illuminating and educational to compare the original with an updated version!)

Note that although ordinarily we far prefer to refer to authors as they wished and presented themselves to the world on their books' title pages, in the case of knitting authors who were known -- sometimes known only -- by their husband's name, we have decided to here use their married names, e.g. Mrs. G.J. Baynes is here listed as Anne Baynes.

Weights of the more common historical yarns

Andalusian falls between modern fingering weight and sport weight; Jamieson & Smith's 2-ply "jumper weight" Shetland can also be used.

Crewel is the same as modern crewel wools.

Double Berlin is equivalent to a modern DK or a three-ply worsted.

Fleecy could come in a range of weights, probably from fingering weight to a soft bulky weight, but was most commonly from DK to soft bulky; the modern knitter will have to experiment to achieve the desired result.

Germantown is equivalent to a modern worsted (18-20 sts per 4"/10cm).

Knitting floss is probably a modern lace-weight.

Lamb's wool or worsted equivalent to modern sport weight; it is not a modern worsted, but refers to the way the wool was spun.

Pyrenees is a lace-weight wool with a slightly tighter twist than Shetland.

Saxony is equivalent to modern fingering or baby yarns (about 32 sts per 4"/10cm).

Shetland can still be found today; a two-ply lace-weight can also be used.

Single Berlin, like its relative double Berlin, was traditionally of merino wool; single is a needlepoint or fingering weight.

Worsted or lamb's wool is equivalent to modern sport weight; it is not a modern worsted, but refers to the way the wool was spun.

Zephyr is probably a light fingering weight wool.

A detailed table of discontinued vintage yarns (i.e. mostly 20th-century) and their respective weights can be found here, and a very helpful table of specific modern equivalents to historical yarns can be found here.